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If you are one of those people who went to film school and still cannot understand why they did not teach you how to get a job in the film industry, then I suggest that you stop complaining, gather up all the creative, hard working film production people you know, make yourself an independent film and enter it in some film festivals. If you win an award at a prominent film festival your life may change very dramatically for the better. Even a small award at a small film festival will more than likely set you on the path to having a career in the film industry.

Most people attend film schools with big dreams of working in the Hollywood film industry and possibly even making a name for themselves. They have visions of red carpet interviews, Academy Awards acceptance speeches and stars on the Hollywood Walk of Fame. However, most of them will never see those dreams come to fruition and they will face endless frustration and disappointment instead.

After graduating from film school most people are expected to break into a business that is considered to be one of the most difficult in the world to find employment, unless you have connections, of course. For the ones without connections, it can be very frustrating. Unfortunately for them, the Hollywood film industry is run by a tight knit community that practices nepotism and rarely opens the door to newcomers.

If you want to break into Hollywood but your last name is not Barrymore, Begley, Cyrus or Sheen and the only connection you have is a cousin who manages your local movie theater, then your best chance of success is to make an independent film and enter it in film festivals. If you place in the top three of any category you enter you will usually be asked to send a film print of your movie so it can be screened to audiences that attend these events.

Film festival audiences are a combination of film critics, media reporters, film distribution representatives, film fans, celebrities and local residents. These are the people that can create a buzz about a movie after they see it. When a buzz is created about a movie at a film festival it usually starts in the theater lobbies and then works its way out into the media where it can take on a life of its own. If this happens to any independent film it is destined to succeed, and the independent filmmaker who made the film springboards into a career in the film industry. Just ask Robert Rodriguez or Quentin Tarantino about the value of film festivals and they will tell you.

Winning a top award at any film contest is a good thing for anyone who makes movies. With an award comes publicity, and publicity is the life blood for filmmakers and their careers.

Film distribution companies send people to film festivals to purchase products and they always follow the publicity to find their products. Many of the purchases they make are small movies made by people with very small budgets. An independent filmmaker can make a good profit from one of these distribution deals and make themselves bankable at the same time. If they can sell their movie to a distribution company, there is a good chance that they will be able to make more films with bigger budgets using money from investors, instead of their own hard earned money.

It is very important that you choose the right film festivals to enter your movie if you want to increase your chances of winning an award. Of course it would be nice to win a major award at an event like the Cannes Film Festival, The Toronto International Film Festival or the Sundance Film Festival. But you have to be realistic and set your sites on a contest that is friendly to small independent filmmakers and their independent films. Worldfest Houston International Film Festival and the Austin Film Festival are two examples of the type of film festivals that are friendly to this type of people who work with small budgets and big ideas. There are hundreds more contests out there and they come in all shapes and sizes.

The Cannes Film Festival, The Toronto International Film Festival and the Sundance Film Festival are the biggest and most publicized movie contests in the world. Unfortunately, they are also the most difficult ones for small independent films to be accepted into because of the high standards and politics that they employ.

Most of the films that win awards and get screened at the Big Three film festivals are made by independent film production divisions of the Big Six film studios like Warner Bros and Disney. By definition they are still considered to be independent films if no more than 50 percent of the funding comes from a major studio. But that fifty percent is usually millions of dollars, and this puts the production value in a whole different league than the movies that are made by small time independent filmmakers with miniscule budgets. Also, most of these big budget festival films have big Hollywood stars attached to them which makes them irresistible to the contest judges and management.

The Big Three film festivals have been invaded by the Big Six film production studios with big budget movies masquerading as independent films. This makes it very hard for a film that was shot with a digital camera on a shoestring budget to compete at Cannes, Toronto and Sundance. These kinds of films have a much better chance of winning an award at a film festival like Worldfest Houston or the Austin Film Festival because they are more interested in showcasing film talent than they are catering to the Hollywood film industry. Choose your film festivals wisely and you will increase your chances of winning an award and securing a distribution deal.

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Paul Blart: Mall Cop Movie Review - Plot

The movie opens at the New Jersey State Police Academy in the autumn of 2008. Paul Blart (Kevin James), a single father, tries out to be a cop. He does surprisingly well on the obstacle course despite his size, but passes out due to hypoglycemia, and fails the course.He lives with his mother and daughter, who tries to find him a girlfriend on a dating website, as his wife had previously left him, and he had been feeling lonely ever since. He tries to make ends meet as a security officer at West Orange Pavilion Mall. He takes the job very seriously, but receives no respect from the patrons. The next day, Blart is introduced to a new trainee named Veck Sims. Blart takes him on a tour of the mall, teaching him the basics. While patrolling the mall, Blart sees – and falls for – a kiosk owner, Amy. After a few attempts to muster up courage, Blart tries to talk to Amy, but awkwardly asks for hair products instead. Upon their second “meeting”, Blart offers to give Amy a ride to her car on his Segway, and they agree to meet later in a bar where the mall staff are regular patrons. Unfortunately, Blart accidentally gets drunk, and humiliates himself in front of everybody present. Thinking he has ruined his chances with Amy, Blart returns home in low spirits. Later, Blart’s co-worker offers him his daughter’s phone so Blart could call Amy.

On Black Friday, a group of robbers disguised as Santa’s helpers “seize the mall” while Blart is inside the arcade playing Rock Band. While in the arcade, a foreign teen named Pahud calls the cell phone looking for the co-worker’s daughter. Pahud believes Blart is her lover but he explains that he is only borrowing the phone and gives the boy positive advice (basically to just relax about this girl). Pahud begins to admire Blart and they become quick friends. The robbers chase most of the shoppers and staff outside. However, some of the mall staff, including Amy, are taken hostage inside the mall’s bank. Veck reveals himself to be the ringleader, and intends to steal thirty million dollars from the mall by obtaining the codes to the mall’s credit card machines.

The West Orange Police, led by Sgt. Howard, surround the mall, but are unsure of the actual conditions inside. Meanwhile, Blart realizes that the mall has been taken over, and he makes contact with Sgt. Howard. However, the moment he finds out Amy is among the hostages, Blart resolves to take the matter in his own hands. He begins incapacitating the robbers one-by-one, and recording the stolen credit card codes. Outside, SWAT Commander Kent arrives to take control over the operation, and he ultimately dismisses Blart’s actions; Also he has known Blart as Kent has been cruel to him since in high school. He shows that he is much more willing than Sgt. Howard to raid the mall, regardless of the hostages’ safety. While Blart is busy fighting the robbers, his daughter, Maya, arrives at the mall to deliver his dinner, but she is quickly taken hostage by Veck. She then meets Amy, and tells her how Blart really feels about her.

Finally, Blart manages to incapacitate all of Veck’s henchmen, but Veck discovers Maya’s identity, and he tries to force Blart to give him the codes in exchange for her life. Instead, Blart distracts Veck with a mannequin, and tries to free the hostages, but fails. He is forced to give Veck the codes, and Veck escapes the mall with Amy and Maya in tow. Blart follows them, with Commander Kent finally on his side. Blart finds out that Veck is headed to a nearby airport, and ambushes him there, successfully restraining him. However, Commander Kent then attempts to kill Blart and points a gun at his head, and reveals that he was working with Veck the entire time. Fortunately, Sgt. Howard had followed them, and quickly arrests Commander Kent after Blart’s boss, Chief Brooks shoots the gun out of Kent’s hand. Blart and Amy are re-united and Blart admits his feelings for her and she kisses him. Howard offers to let Blart become a full-fledged police officer. Blart steadfastly refuses, saying that his place is helping people in his mall. During the end credits, bonus scenes show Blart and Amy getting married in the mall with all of their co-workers and friends there, including Pahud.

Paul Blart: Mall Cop Movie Review - Cast

• Kevin James as Paul Blart
• Keir O’Donnell as Veck Sims
• Jayma Mays as Amy
• Raini Rodriguez as Maya Blart
• Shirley Knight as Paul’s Mom
• Stephen Rannazzisi as Stuart
• Peter Gerety as Chief Brooks
• Bobby Cannavale as Commander Kent
• Adam Ferrara as Sergeant Howard
• Adhir Kalyan as Pahud
• Erick Avari as Vijay
• Jamal Mixon as Leon
• Allen Covert as Jerky Security Guy
• Bas Rutten as Drill Instructor
• Jason Ellis as Prancer
• Mike Escamilla as Blitzen
• Mike Vallely as Rudolph

Paul Blart: Mall Cop Movie Review - Production

The film began shooting in late February 2008 in Boston. Principal shooting took place at the Burlington Mall in Burlington, Massachusetts after being denied a permit from Willowbrook Mall (Wayne, New Jersey). From late February until mid-April, the mall and its stores were decorated with Christmas decorations, and there was a large prop ball-pit in the main foyer of the mall near the Sears branch, and a Santa’s Village at the opposite end near the Macy’s branch in the same place that the mall usually puts its own Santa’s Village. Signs were placed throughout the mall explaining that this was for filming a movie, in order not to confuse the guests. Interior filming took place mostly at night. The South Shore Plaza in Braintree, Massachusetts was the location of subsequent shooting.

The titular cop is played by Kevin James with Keir O’Donnell as his opponent. Ugly Betty recurring star Jayma Mays plays James’ love interest.The film is directed by Steve Carr.